Books with author John Keating

In the preparation of these notes, as also of the Notes and Illustrations in the A ppendix, I must again acknowledge my great indebtedness to Mr. Forman. In undertaking to assemble Keats s Complete Poetical Works, 1have been aware that I was including some things which neither Keats nor any one else would call poetical. Tet besides the contribution which verse makes to beauty, there is also the light which it throws on the poetical mind and character. And since the volume of Keats sproduction is not large, and much of his posthamonspoetry is rightly classed with his own acknowledged work, it seemed best to gi Teverything, but to make the natural discrimination between the poetry in the bodjr of the volume and that which follows in the division. Supplementary Verse. Th personality of Keats is so vivid, that just as his friends in his lifetime and after his death carefully garnered every scrap which he wrote, so the friends created, by his life and his poetry may be trusted to know what his imperishable verse is and yet will handle affectionately even the toys he played with. Although I have endeavored to draw from Keats sletters such passages as throw direct light on his poetry, there yet remains an undefined scholia in the whole body of his familiar correspondence. No attentive reader of Keats sletters will fail to find in these unstudied, spontaneous expressions of the poets mind a lambent light playing all over the surface of his poetry, and therefore it is not a wide departure from the scheme of this series of poets to include, in the same volams with Keats spoems, a collection also of his letters. This collection is completei though one or two brief notes will not be found here, because already printed in the headings to poems. I have been dependent for the text mainly upon Mr. Colvin, supplemented by the minute garnering of Mr. Forman. I have to thank M(Typographical errors above are due to OCR software and don't occur in the book.)

Excerpt from Keats: Poems Published in 1820Fast by the springs where she to bathe was wont, And in those meads where sometime she might haunt, Were strewn rich gifts, unknown to any Muse, Though Fancy's casket were unlock'd to choose. 20 Ah, what a world of love was at her feet!About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Lamia - Classic Poetry by John Keats. John Keats (31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work having been in publication for only four years before his death. Although his poems were not generally well received by critics during his life, his reputation grew after his death, so that by the end of the 19th century he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life. The poetry of Keats is characterised by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analysed in English literature. When Keats died at 25, he had been writing poetry seriously for only about six years, from 1814 until the summer of 1820; and publishing for only four. In his lifetime, sales of Keats's three volumes of poetry probably amounted to only 200 copies. His first poem, the sonnet O Solitude appeared in the Examiner in May 1816, while his collection Lamia, Isabella, The Eve of St. Agnes and other poems was published in July 1820 before his last visit to Rome. The compression of his poetic apprenticeship and maturity into so short a time is just one remarkable aspect of Keats's work. Although prolific during his short career, and now one of the most studied and admired British poets, his reputation rests on a small body of work, centred on the Odes, and only in the creative outpouring of the last years of his short life was he able to express the inner intensity for which he has been lauded since his death. Keats was convinced that he had made no mark in his lifetime. Aware that he was dying, he wrote to Fanny Brawne in February 1820, "I have left no immortal work behind me – nothing to make my friends proud of my memory – but I have lov'd the principle of beauty in all things, and if I had had time I would have made myself remember'd."

an English Romantic poet. He was one of the main figures of the second generation of romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work only having been in publication for four years before his death. Although his poems were not generally well-received by critics during his life, his reputation grew after his death, so that by the end of the 19th century he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers.

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